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Residency 3 : Les Rémouleurs
THE PROJECT
ombre-boucle

Boucle d'or et les 33 variations (Goldilocks and the 33 variations)

Project history by Olivier Vallet, founder of the Rémouleurs Company

"This tale has been in my head for several years mainly due to its plot: a little girl that we don't know anything about, with no identifiable parents, age, role in life and no home, with hardly a nickname instead of a name arriving from nowhere and departing to the unknown without having done anything but trying to find her place. Here you are, a one-of-a-kind story.  A story that speaks well about our world where there are more and more people who are trying, just like Goldilocks, to find their place...





But I had not known what to do with it, constrained by the number of possible viewpoints on this enigmatic adventure, until the idea of working on the variations between ways of representation, playing styles and techniques while trusting the text to a member of the oulipian literary movement (Workshop of Potential Literature), Jacques Jouet. Being primarily a puppeteer and shadow artist, first I considered manipulating the images in plain view, using different techniques (shadows, catoptrics, magic lanterns), but I have been for a long time interested in working on the image and not only on projection techniques. When Véronique Bellegarde ordered a fog screen projection system for her show "l’Instrument à pression" (Pressure Instrument), it allowed me to inquire into fluid mechanics. Having produced the fog screen, I read the book "Ce que disent les fluides" (What fluids say) by Etienne Guyon  (Belin - Pour la science).  I was fascinated by his photo of a soap curtain, which convinced me about its breakthrough plastic and theatrical effect on stage. I started to work on producing one. The result reflected my ignorance in this field, so I contacted Etienne Guyon as well as Sylvain Lefavrais at the "Palais de la découverte" for some advice and I learned that a 18 metres high soap curtain had been created a few years before that.

 

 

Some time later, I received two E-mails the same day, both giving me the name of François Graner as the best person to advice me. Thanks to his valuable comments, I got back to work, finally obtaining some results and I became completely fascinated by this thin film, soft and ever-changing, continuously pierced by iridescence.  A first prototype, developed in the workshop of the Rémouleurs Company, despite its amateur appearance, with some added improvements due to my puppeteer background (multiplying liquid supply points enabling the formation of larger and more stable curtains) convinced François Graner about my determination to continue. I knew what I wanted to obtain: a stable soap film, with a maximum width to be used on stage and to be tinted so as to be non-transparent. We can therefore every now and then play with the transparency and iridescence of a fluid and fluctuating veil and have a screen that can be easily distorted by simply blowing on it, or by inserting a wet hand into it without breaking it, or a screen that you can suddenly make disappear by piercing it. This cannot be realized without scientists' assistance, without their knowledge, techniques and methodology. Artist/scientist collaboration proves its best in this project. Apart from this performance, there is the fact that the cinematography device elaborated in 1895 (an image projected perpendicularly on the screen, being a smooth, white, non-transparent and immovable surface from a source behind the audience and hidden from their eyes) has been wearing out. Since the film industry is in a digital based 3D fever, live theatre can also open new paths and seek more poetical systems.

Olivier Vallet


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THE RESEARCH RESIDENCY
boucle-new

Boucle d'or et les 33 variations (Goldilocks and the 33 variations) is a production by Les Rémouleurs, Theatre Company in residency at Saint-Fargeau-Ponthierry and at the Atelier Arts-Sciences (CEA Grenoble and Hexagone Scène Nationale in Meylan).

 



The residency at the Atelier will mean setting up working sessions in Grenoble at the premises of the Atelier, at the CEA Grenoble or at Hexagone, associating CEA Grenoble researchers.

The Atelier Arts-Sciences team will support this crossover research in 2010.

Every single residency shows a different set up and follows a different process according to the artistic and scientific content of the project.

An epistemological follow-up will be put in place. The evolution and the results of these research activities will be presented in the Cahiers de l'Atelier published at the end of the residency.

 

The stage production, being the outcome of the residency, will be presented at Hexagone Scène Nationale in Meylan in the autumn of 2010.

Dates for further performances are set in numerous theatre venues around France:

Espace périphérique - La Villette, Théâtre le Colombier (78), Centre Culturel André Malraux (59), Théâtre Alexandre Dumas (78), Théâtre municipal de Fontainebleau (77).


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SOAP FILM
filmsavon

Using soap film:

To explore this dreamlike world and to project shadows and images manipulated at sight, we have chosen to use soap film due to its plastic and reflective qualities...




Through soap film, we present the object created by a liquid (water and surfactant) that flows between several wires (not a bubble). These wires can be manipulated, therefore changing the screen's location and shape, the film itself being able to be deformed by a simple breath. Moreover, the liquid can be made opaque by the addition of dyes in aqueous phase, if one wishes to stop using the film as a flexible and moving mirror in order to transform it into a malleable screen.

 

Based on the results described in the Annex of the article "Giant soap curtains for public presentations" by François Graner and Patrice Ballet (European Journal of Physics, 2006), and with their help, our goal is to create an original stage element ready for touring. To do this, we intend to work jointly, not with an artist who prescribes and a scientist / technician who perform in the best way, but in collaboration, where everyone could be a source of innovative ideas. After all, our job is a puppeteer basically manipulating material to instigate emotion. It can be regarded as a form of naive, primitive and empirical way of practicing physics…



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TEAMS
VALLET

Scientific and Artistic Team

- François Graner, Patrice Ballet

- Jacques Jouet, Anne Bitran, Olivier Vallet, Bénédicte Ober, Jehanne Carillon, Jeanne Bleuse, Alain Juteau, Catherine Coustère, Benoit Aubry




Scientific Team

François Graner

Born on 21 July 1966 in Cambridge, United States.

Career:

- 2008 CNRS and Institut Curie, Paris: Morphogenesis of Drosophila Tissues.

- 1994-2008: CNRS, Laboratory of Physical Spectrometry, Grenoble: Structure and dynamics of phospholipidic bilayer soap foams.

- 1992-1994: Professor and researcher (preparing candidates for “agrégation”), F Gallet's team: Phospholipid monolayers

- 1990-1992 Post-doctoral, Sawda Laboratory, Tohoku University, Sendai, Japan: cell sorting and regeneration in fresh-water hydra.

- 1987-1990: PhD Thesis, ENS Paris and Institut Laue-Langevin, Grenoble, research directors: S. Balibar, P. Nozières, Dynamic interface and quantum excitations in helium 3 crystals.

 

Scientific activities:

- 67 original articles (published in refereed international scientific journals, theory and simulation).

 

Fields of statistical physics, soft matter, biophysics

- numerous conference talks,

- close to one hundred invited seminars,

- organising conferences and workshops

- supervising: forty or more supervised or co-supervised students, including ten PhD candidates and two post-doctoral students,

- around twenty PhD thesis juries and two habilitation ones, referee for a dozen international journals, juries of competitive exams and training,

- popularization: radio, museum exhibitions, articles, column in La Recherche (57 articles), Fêtes de la Science, schools, middle schools, participating in DVDs, World Year of Physics, general public conferences, art and science shows, science cafés, short film scenario and production,

- teaching: preparing for agrégation

(Paris, Grenoble), DEA (1st year of PhD studies), Master's 2, courses, organizing a school, student conferences, participating in TIPE (competitive exams preparatory course),

- author of three books, editor of one book, co-author of a book in preparation.

 

Patrice Ballet
Born on 24 November 1956 in Auxerre (Yonne, France)

Career:

- Since 1999:

Physical Spectrometry Laboratory in Saint-Martin-d’Hères (38).

Research Engineer

Design, development and application of measurement / characterisation systems.

Software development for data acquisition and control.

Mechanical units production. Machining. External technical collaborations:

Public presentations...

Technical documentation writing. Assistance to the computer network administration.

Managing interns.

Non-contractual technical university teacher at I.U.T.

- 1992-1998: Establishing his own company.

Engineering service provider. Research, application, assembly for microelectronics and optics. Sub-contractor for Centre National d’Etude des Télécommunications (80 %). Sub-contractor for various regional enterprises (20%).

- 1988-1992 Centre national d’étude des télécommunications in Meylan (38)

Senior technician. Département Recherches Physiques et Technologiques. Design and development of microelectronic systems: Ellipsometers, interferometer, nano-injector, micro machining by laser.

Associated software development.

Metrology measurements in a clean room. Conducted integrated circuits functional tests.

- 1981-1988: Thomson semiconductors in Saint-Egrève (38).

Senior technician. Research & Development Department. Conducted and made operational manufacturing equipment in clean rooms.

In charge of the "Dry and wet etching" sectors of the department. In charge of the electronic microscope in the department.

Silicon metrology. Monitoring of technological procedures and stabilization of manufacturing processes. Microlithography on silicon for the Special Circuits Division. Supervising five operators.

 

Education:

1998: Skills Certificate from CNAM as networked machines administrator.

1981: DEUG A (Sciences & Material Structure 1st year).

1978: DUT in Physics Measurements

 

Publications:

Quoted in numerous publications and co-author of five:

- P. Ballet, F. Graner «Giant soap curtains for public presentations », European Journal of Physics 27, 951-967 (2006).

- P. Ballet, F. Graner « Un film de savon géant », Revue du Palais de la découverte, 332, (2005).

- M. Bienia, F. Mugele, C. Quilliet, P. Ballet « Droplets profiles and wetting transitions in electric field »

Physica A 339, 72-79 (2004).

- P. Paniez, I. Mortini, P. Ballet, « Study of bake mechanisms by real time in situ ellipsometry », Annual International Symposium on Micro lithography 23, (1998).

- A. Vareille, A. Schiltz, P. Ballet, J.C. Hauüy, L. Thévenot «Interferometric micropositioning in the planar chip insertion», Microelectronics International, 36, 19-21 (1995).

Artistic Team

Jacques Jouet - Text

Oulipo (Workshop of Potential Literature) member since 1983. His first contact with Oulipo was a writing workshop convened by Fournel, Georges Perec and Jacques Roubaud  in 1978.  Poet and novelist, short-story writer, playwright, essayist and plastic artist, Jacques Jouet, along with François Caradec, Paul Fournel and Hervé Le Tellier,  participate in the radio show "Papous dans la tête" on France Culture. His series, "La république de Mek Ouyes" was simultaneously aired on France Culture and on his editor, P.O.L.'s website. It is published by P.O.L. at Castor Astral. Two of his last plays were played at the Théâtre des Amandiers, Nanterre and a rich bibliography can be consulted at the Oulipo website.

 

Anne Bitran - Staging
Actress and puppeteer, with Olivier Vallet co-founder of the Rémouleurs Company in 1983, Anne Bitran creates, manipulates and gives her voice to puppets. Her puppet shows, Peter and the Wolf, Chaosmos, Ginette Guirolle, Adam's Nombril, Lubie, Hulul, Lubie, Machina Memorialis, Nouveau Spectacle Extraordinaire were shown at numerous puppet festivals in France and abroad. Her show “Ginette Guirolle”, bar puppet show, opened the door for her shows towards numerous cultural institutes: several National Theatre Centres (Montpellier La Commune - Aubervilliers, Nanterre-Amandiers, Besançon, Vire, Lille-Le Grand Bleu) and various Scène nationales (national theatres). Her work stands out by the exquisite relationship she builds between music and image. In her shows, music never just accompanies an image, but acts as one of its sources.

 

Olivier Vallet - Shadow performer, actor, special effect designer (shadows and projections)
Fascinated by light, Olivier Vallet has been working for about ten years on renewing the language of animated image in theatre by applying new ways of expression stemming from ancient projecting techniques.

His inventions were rewarded on three occasions with the "Lumière" Prize at the Louis Jouvet Trophy Ceremony (in 1998 for the concept of an articulated GOBO, in 2000 for the Cyclope, an episcope allowing to project animated images in colour of massive objects, in 2002 for designing a 3D effect projecting system based on soft mirrors).

Beside his contribution to the shows by the Rémouleurs Company, (shadow conception and projection instrument design for Lubie, Hulul, Adam's Nombril, Light for Ginette Guirolle), he participates in various theatre performances centred around light, shadows and projection.

He has also been involved in visual shows, and has designed optical machines for several museums.

 

Jehanne Carillon - Director's Assistant
Actress and singer, shared training with Elizabeth Chailloux and Adel Hakim, worked with Rene Loyon, Jacques Jouet, Catherine Daste, Christian Germain and Anne Bitran. She was also assistant to Rene Loyon, Stage Director, and is currently directing "Annette entre deux pays" by Jacques Jouet and is directing the reading performance, "Lundis de l’OULIPO" (OULIPO Mondays) ("Ouvroir Potential Literature"/Workshop on Potential Literature) at the Theâtre de Rond-Point, Paris.

 

Bénédicte Ober - Actress
She takes her first steps as an actress in Marseille with various stage directors (Matthieu Cipriani, Nanouck Broche...) At the same time, in association with another actress and a jazz musician, she is founder of the theatre company called "Je sais bien mais quand même" (I know well but still) based on contemporary texts and producing three workshop-performances.  It is with the Rémouleurs Company that she discovers, tries and manipulates puppets. She is fascinated by the distance that puppets allow between the character and the actor and by the sensation of freedom they give. Another fascinating aspect: the music, inseparable from the Rémouleur's approach and from her own personal quest. Beside the three performances in which she has been involved, Adam's Nombril, Hulul and Lubie, she continues working as an actress.

 

Jeanne Bleuse - Piano

Born on 3 September 1982. She starts piano studies at the Boulogne Conservatory of Music at the age of 6. She follows her training in Toulouse with Véronique Grange. Admitted to Marie-Paule Siruguet's class in September 2000 and is unanimously rewarded with the first prize at the Boulogne Conservatory.  She has also worked with Marie-Joseph Jude and Jean-François Heisser. In December 2001, she was invited to play the Double Concerto with violin and strings from J. Haydn with Gilles Colliard, violonist. During the academic year 2002/2003 she follows a one-year proficiency course in Nana Dimitriadi's class at the Georgia Music Conservatory in Tbilissi. In February 2003, she plays the Triple Concerto from Beethoven with her two brothers at the Halle aux Grains in Toulouse. Currently she is working in Denis Pascal's class and in the field of chamber music with Eric Lesage and Paul Meyer at the Paris Conservatory.

 

Alain Juteau - Scenographer, prop designer

Fascinated by dug up bones, hair, feather, rusted nails, baked leather, furrowed wood and all sorts of other natural materials loaded with life and death since his childhood, Alain Juteau has committed himself to perpetrate an ancestral art, the art of totems and fetishes. He endeavours to extend his presence among us.   Designer, manufacturer of accessories for film or theatre, Alain Juteau escapes the constraints and prerequisites of the profession by enhancing his activity in a very inspired production. His world is thereby populated with very strange creatures, coming from a shaman-like pantheon. It is a world tour in a cabin of curiosity taking us back to our origins.



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